Cheryl Rainfield: Teen Fiction Author, Reviewer, & Book-a-holic
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Needing a Family: When Your Own Family Isn't Enough
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My ratings:
This book was the best! You won't be able to put it down—and you won't want to. Worth every penny!

A great read. Don't let this book pass you by. Recommended!

A good book. Worth checking out.

Passes the time...if you can stay engrossed. I didn't enjoy it much, but it may appeal to some people.

This book didn't work for me. But that doesn't mean it won't work for you.




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Needing a Family:
When Your Own Family Isn't Enough






in-search-of-mockingbird (3K)In Search of Mockingbird
by Loretta Ellsworth
Henry Holt, April 2007.
ISBN-10: 0805072365, ISBN-13: 978-0805072365




My rating: star-small-grey (1K)


I stare down at the cover of my book. It's been over a year since I first found Mockingbird in the attic. Since then I've read it cover to cover at least six times, some sections more often. I study the penciled notes in the margins where passages are marked and comments made, each pencil mark as important to me as the words in the book itself. I look up and realize they're still staring at me.


--In Search of Mockingbird, Loretta Ellsworth, p. 5.


Sixteen-year-old Erin's mother is dead, and one of her only connections to her mother is a copy of To Kill a Mockingbird that her mother scribbled notes in, and a letter that she wrote to Harper Lee, the reclusive author of the book. Erin is desperate for connection and answers, and finally, after a fight with her father, she heads out on a bus to find Harper Lee, and, she hopes, some answers.

In Search of Mockingbird is an uplifting, enjoyable read about a strong girl protagonist. What makes this book especially uplifting is that throughout the story, strangers on the bus help Erin and encourage her in different ways to reach her goal. So many people end up supporting her, and this is moving and encouraging, and gives the reader the sense that the world isn't a bad place, that there are a lot of good people in the world, and that people can reach out and help others. This brings a lightness to the story, to what could otherwise be a painful read.

Erin does not just passively accept help; she herself helps the key people who help her, helping them resolve their own emotional issues in a satisfying, real way. This serves to balance Erin and her situation out, and to make her more likable. However, Erin's own resolution of her emotional issues did not feel believable to me, and this was a little disappointing.

There is a lightness to this book, even with the themes. Erin's pain and the death of her mother is not focused on in great depth; instead, the focus is on the search, and what happens along the way, all the human connections that are made. Ellsworth realistically hints at some of the dangers that a teen travelling alone or running away would face, but Erin manages to escape them. The passengers' attitude toward Erin changes over time, and through Sedushia's and Epp's influence, and this makes the change believable. Ellsworth creates an almost euphoric state when Erin's fellow travelers and even the driver help her through major barriers close to the end of the book, such as the police looking for her.

Erin and two of the people she met and interacted closely with on the bus, Sedushia and Epp, are the most full and believable characters. Sedushia and Epp both have strong, unique mannerisms, habits, and backgrounds that help them feel like someone you could actually meet on the street or that you might know. Both Sedushia and Epp are clearly protective of Erin and feel a responsibility to look out for her, even though they both have their own problems and quirks, and this is refreshing. Erin herself is a likable character, helping others even as she's running away, caring for them. She's also intelligent, resourceful, observant, and passionate, and her perceptions of others change over time (thus influencing the reader, as well). I would have liked to see Erin worry more about her dad; this may have helped me believe in the resolution more at the end. Ellsworth makes it easy to care about Erin, Sedushia, and Epp, by creating characters with depth and heart, characters who try to do the right thing but still have faults.

Ellsworth uses many closely observed, vivid, and unique details to show characters and setting through Erin's eyes, which helps the story come more alive. This feels believable since Erin wants to be a writer and thinks that observation will help her become that. Ellsworth also shows a strong understanding of body language that rings true, and the way that people sometimes say one thing with their words and a different thing with their bodies.

Although there's some tension in the beginning between Erin and her family, it did not feel fully explored or real, but rather tacked on to help us believe in the reason for Erin's search for Harper Lee. I would have liked Erin's father and brother to have more depth and greater interaction with Erin.

Small bits of foreshadowing are nicely built up to help make the actions and reactions that occur believable, including how quickly Sedushia seems to accept Erin's story, when Erin is clearly nervous. Backstory is nicely sprinkled throughout the story, giving the reader a little more as we go along, which helps paint a more believable picture, and gives Erin some added depth. Ellsworth also brings in some strong positive messages into the story, such as the importance of following your dreams, and knowing that it's never too late to do what you need to do or to connect with someone you love.

There's a lot of dialogue and low-level tension running throughout the book, and this helps the story move quickly, as does the ongoing question of whether or not Erin will achieve her goal or find the answers she's looking for. Different aspects of To Kill a Mockingbird are brought in throughout the story, so the thread is never lost.

I did not believe in Erin's emotional motivation, not for her to leave in the first place to hunt down Harper Lee, or, once she was so close to her goal, to abandon her search. I did not see her work through her own emotional issues about her mother or the reason for her search; it was like a sudden leap was made without bringing the reader along. This made me feel dissatisfied with the story, since Erin's search for Harper Lee was a large part of the book. In addition, the ending felt too pat and neatly tied up; I didn't believe in the patched up father-daughter relationship, though this may be because the father never seemed like a full, real character, and there wasn't enough interaction between Erin and her father to give a real sense of their relationship or to make the reader believe in it. Still, these things did not take away from me enjoying Erin's journey, or my belief in her and the people she met on the bus. And there was enough uplifting feeling from those scenes to pull me through.

This book swept me up in the story and only spit me out a few times; it was a fantastic read--uplifting, feel-good, and written with depth. Recommended!

-Added August 12, 2007



Tending to Grace
by Kimberly Newton Fusco
Laurel-Leaf/Random House, September 2005. (reprint)
192 pages. ISBN: 0553494236




My rating:


We drive out Route 6 on a silent day at the end of May, my mother, the boyfriend, and I. We pass villages with daisies at the doorsteps and laundry hung in soft rows of bleached white. I want to jump out of the car as it rushes along and wrap myself in a row of sheets hanging so low their feet tap the grass. I want to hide because my life, if it were a clothesline, would be the one with a sweater dangling by one sleeve, a blanket dragging in the mud, and a sock, unpaired and alone, tumbling to the road with the wind at its heel.
But I don't say anything as we head east.
My mother is a look-away.

--Tending to Grace, Kimberly Newton Fusco, p. 1.


Fourteen-year-old Cornelia is used to taking care of her immature, self-centered mother—and used to being ignored. Perhaps in a silent cry for help, or perhaps just as a result of the neglect, Cornelia stutters, is thought to be slow at school because she rarely talks, and she avoids eye contact. But nothing makes her mother focus on her.

Cornelia tries to make herself like a stone, silent and unhurtable. Then her mother gets a new boyfriend, and they dump her out in the country with her poor, elderly great-aunt Agatha—a woman Cornelia's never even met.

Life with Agatha is very different than her life in the city with her mother. The small house is falling apart, the phone doesn't work, there's no toilet, and there's hardly any food—certainly no junk food. And there's no books, except the ones that Cornelia brought with her.

Agatha has attitude, and her attitude gets Cornelia to talk, even though she stutters. Cornelia thinks that her eccentric aunt is the one who needs her help, and she does help her, but in the end, Agatha is the one who gives Cornelia what she really needs—love, attention, and a home.

This is a beautifully written, powerful novel. We are introduced to Cornelia at the point of change in her life—when her mother dumps her with her great aunt. And gradually, through brief flashbacks, the past is unfolded and woven into the present. This, along with the short chapters, intensity, and mystery (why Cornelia won't talk) works to propel us quickly through the book, yet give us an understanding of where Cornelia's coming from, and why she acts the way she does.

Incredibly fresh, evocative metaphors and analogies are used throughout the novel, revealing a lot about Cornelia and how she sees the world, as well as about the other characters. The emotional depth and understanding of how it feels to be neglected, and to feel so alone, feels very real. The loneliness and pain is often given to us in small, manageable chunks, which help the book move faster, and help the reader digest them easier.

Cornelia, especially, feels utterly believable, with great depth to her character. She is a likeable character—very intelligent, resourceful, and helpful, yet full of suppressed rage and pain. We also see her, as well as her aunt, grow and change throughout the book. Agatha, too, has layers to her, although some of her backstory feels forced, to create those layers and provide an explanation for some of her behavior.

There were a few brief chapters that felt like they were plunked down in the wrong place, out of order, or that didn't feel connected to the rest of the story, and the issue of Cornelia taking care of the mother, which is supposed to be one of the key issues of the book, seemed to be dropped for a while. Also, at times I wondered if stuttering alone would be enough to keep Cornelia so silent; I wanted to see her explore this more. And while we saw Cornelia's sudden knowledge of birds, we did not see Agatha teach her these things. However, these are small things compared to the whole; this is a masterfully written, compelling story.

All the details in this book feel carefully picked to not only give us a great sense of place or of character, but also to give us other meanings—telling us more about the character, comparing past and present, used as a metaphor, hinting at backstory. There are also good sensory details sprinkled throughout the story that often fit with how Cornelia is feeling. I've rarely ever read a book that so constantly and effectively makes description and detail do double duty.

There is wisdom, sensitivity, and understanding of pain woven throughout the story. Beautiful, evocative writing packed with emotion, this is a book that will grip you, and not let you go until you finish it. Highly recommended.

-Added April 2006



Colibri
by Ann Cameron
Farrar Straus & Giroux, Aug. 2003. 240 pages. ISBN: 0374315191

My rating:


When we were on the road, Uncle was a man you would hardly notice, with his simple white shirt and black pants and his eyes cast down. But once he sat in front of a church or at the edge of a market to beg, he changed.

It was as if he reached into the air for a thick coat of goodness and pulled it around himself and made himself bigger. You couldn't walk by him without noticing his humility. You would think he was a man who would never quarrel with anybody, and even if someone insulted him, he was so humble the insult would wash right off him. You would think he was a sober man, and if you gave him money he would never use it to get drunk, the way a lot of beggars do....

--Colibri, Ann Cameron, p. 10-11.


12-year-old Tzunun was kidnaped from her family when she was four, and now she travels through Guatemale with "Uncle"—a lying, cruel, greedy, crooked man. Uncle is nothing like the little she remembers of her parents—he tries to make her lie and cheat for money, while her mother taught her to be honest. "Uncle" repeatedly reminds her that he only keeps her around because the fortunetellers have assured him she will lead him to a treasure. Tzunun would be alone in the world without Uncle—penniless, without shelter, and with no idea of how to find her real family. So she sticks close to Uncle, even though he does not treat her well, and she longs for the day when she might find her family, and she will be called by her rightful name, instead of Rosa, the name Uncle insists on.

Tzunun tries to stay true to what her mother taught her—to be honest; it is the only thing she has left of her. When Uncle tries to make her lie, Tzunun is physically unable to. Slowly, small chunks of Tzunun's memory begin to come back. Somehow Tzunun finds the courage she needs to stand up to Uncle, and to leave him. In so doing, she sets off the chain of events that lead Uncle to the fortune he craves, and lead her to her real parents.

If the story feels weak in a few places, or Tzunun's fears are not built up strongly enough, the rich, vivid description and setting outweigh this. The reader gets a real taste of Tzunun's surroundings, and for the most part, of her character. The powerful, eloquent language pull us forward throughout the story, to the gradual flowering of the truth, and the compelling climax. Uncle is portrayed throughout the story as a thoroughly unlikable character, so we feel only relief when Tzunun gets away from him. Beautiful metaphors spice the story, bringing greater meaning. Although the ending feels a little too pat, we root for Tzunun to finally find some happiness. A strong, gentle story woven with layers of depth and insight.

-Added August 17, 2003



True Confessions of a Heartless Girl
by Martha Brooks
Farrar Straus & Giroux, 2003. ISBN: 0374378061

My rating:


Noreen, a troubled seventeen-year-old, stole her boyfriend's truck and money and just drove away after a big fight where she was afraid he was rejecting her. Noreen drove and drove until she reached a coffee shop in a little town. The coffee shop owner decides to take her in, but Noreen isn't grateful.

Calamity after calamity happen, with Noreen resisting the kindness and love the strangers in this town are willing to give her. But gradually, through their attentiveness, Noreen softens, finds a little forgiveness, and matures, and is able to work things out with her boyfriend. But it's a rocky ride.

Complex, edgy, and multi-layered, with complete, believable characters with their own lives and problems, this is an intense, powerful book you won't want to miss. Gritty, emotional, and gripping.



Adam and Eve and Pinch-Me
by Julie Johnston
Tundra Books, 2003 (reprint). ISBN: 088776648X

My rating:


Sara's biological mother gave her up, and then her adoptive parents died when she was just a baby. Since then, Sara has been shuffled from foster home to foster home, and grown increasingly more lonely, bitter, and withdrawn. All she is waiting for is her sixteenth birthday, when she'll have her freedom.

At a new foster home, Sara struggles to push the talkative foster parents away, and not to hope about the woman who has come to town, looking for the child she gave up so many years ago. But as much as Sara tells herself she doesn't need anyone, what she really needs is someone to love her. This is an intense, tender story that rings true. This book is insightful, deep, compassionate, and healing. Moving, powerful, and incredibly well written.



Homecoming
by Cynthia Voigt
Simon Pulse/Simon & Schuster, 2002 (reprint). ISBN: 0689851324

My rating:


Dicey's mother woke her and her brothers and sisters up in the middle of the night, and bundled them all into the car, telling them they were heading for their Great-Aunt Cilla's house in Bridgeport. But on the way there, Dicey's mother went into the mall for something—and never came out.

Dicey, the oldest of the children, was left with eleven dollars and some sandwiches in a bag, knowing she had to get her siblings and herself to her aunt's, or be stuck in a foster home and have the family broken up. So they began the long trek on foot, and Dicey had to be very resourceful to get enough food for them all as the long days passed.

But they made it. They finally got to Bridgeport—and then they discover that the great aunt has died, and her daughter doesn't really want them there, although she does her Christian best. It's not a good place for the kids; Dicey can see her brothers and sisters getting worse and worse. So they begin their journey again, this time for a grandmother that has never spoken to them.

This is a gripping story about finding people who love you, and about survival, courage, tenacity, and Dicey is a strong, courageous, tenacious hero—and she faces all the challenges, including the ones that come from her siblings, with determination and love. This story will touch you deeply, and you'll want to come back to it again and again. (There are also other books that follow this one that include Dicey and her family.)





Looking for Home
by Jean Ferris
Farrar Straus & Giroux,1993. ISBN: 0374445664

My rating:


Intelligent, determined Daphne just wants to get away from home. She's seventeen, and all her life she's been abused by her father. She works hard at school to get good grades, and hard at her waitressing job to earn enough money for college, and all the while she makes plans for leaving. But everything changes after one night of sex with her boyfriend—sex she didn't even want, but did in the hopes that they would stay together. Daphne becomes pregnant, and her dreams are changed forever.

Daphne has always known she has to depend on herself; her mother never stood up for her and her father was consistently abusive. She knows he'd treat her even worse if he found out she was pregnant, and she just can't bear the thought. So she runs away.

Desperate, Daphne searches for waitressing work and a place to live—and in her search she finds much more—an assortment of people who care about her, and who become her and her baby's new family.

This is a feel-good book. Daphne goes through some rough things, but in the end she finds people who care about her and who accept her the way her family never did. Moving, touching, and beautifully written, this is a story to warm your heart.



Mandy
by Julie Andrews Edwards
HarperTrophy/HarperCollins, 1989 (Reprint). ISBN: 0064402967

My rating:


Mandy is an orphan who has lived at the orphanage for a very long time—and a loneliness begins to haunt her. On one of her explorations around the orphanage grounds, she climbs over a wall and discovers a very small, old, abandoned cottage on another property. Mandy is delighted with the cottage, and wants it for her very own—for a place that feels like home.

She thoroughly cleans out the dirty cottage, and over the weeks and months, furtively finds her way back to the cottage to fix it up even more. She starts lying about where she's going and what she needs things for, because she doesn't want anyone else to break into her dream.

Then one of the other orphans follows her, and finds her cottage—and Mandy is devastated. She runs away in a storm and becomes feverish and ill—only to be discovered by the rich land owner who owns the cottage. The kind man takes her home, and he and his wife nurse her to health. Mandy hardly dares to dream that they might actually want her in their family—and then their son comes home, and her dreams are dashed. But not all is lost, for Mandy finds the family she needs.

A touching, beautiful book. If you've ever wanted someone to love you, someone to belong to, you'll be moved by this heartfelt book. The main character is younger in age, but don't let that stop you from reading this wonderful book.



Halinka
by Mirjam Pressler
Henry Holt, 1998. ISBN: 0805058613

My rating:


Halinka lives in a German welfare home because her mother abused her and the community took over. Halinka longs for privacy, comfort, good food, and most af all, to be able to live with her poor but loving aunt. But she tries not to hope, because she's afraid of being hurt. She keeps her vulnerability tight inside her as the other girls tease her.

Over time, Halinka is able to open up and make a friend, and to heal—and then her hopes become reality. A strong book about hope, healing, friendship, and love, and finding a place to belong.



Winners
by Mary-Ellen Lang Collura
Western Producer Prairie Books, 1984. ISBN: 0888331169

My rating:


Jordy Threebears has been through eleven foster homes in eight years—and now he has to move again, to live with a grandfather he hardly knows—a grandfather who had been in jail for murder. Jordy is full of resentment and anger, and it takes him a long time to let go of that. But the gift of a wild horse helps him with this.

But there is a man who hates Jordy. And when Jordy discovers what drove his grandfather to kill—a bunch of white guys beat and killed his daughter, Jordy's mother, just because she was Indian—he is filled with rage and hatred, and has to learn how to move past it.

A powerful, moving, deep book that feels emotionally true. Very well written, this book is not one you'll put down.



Crazy Fish
by Norma Fox Mazer
HarperTrophy/HarperCollins, 1999. ISBN: 0380731894

My rating:


Joyce lives with her uncle near the town garbage dump, where he works and she helps out, when she's not in school. At school, Joyce is taunted and shunned by the others because of where she lives, and as a result, she doesn't like school. The taunts hurt, and she feels very alone. Her only refuge is at the dump with her uncle.

Then one day she meets Mrs. Fish, the new school custodian, who is called Crazy Fish by the students because she's large, dresses differently, and sings as she works. But Mrs. Fish just laughs off their insults and taunts. At first Joyce shuns Mrs. Fish, just like all the other students, but over time she develops a close friendship with Mrs. Fish—and feels loved, like the way she might have by her mother, if she was alive.

Joyce knows she needs Mrs. Fish in her life, and wishes she could convince Mrs. Fish to come live with them. But even harder would be to convince her uncle to accept anyone in their lives; her uncle is very stoic and believes in not accepting favours from anyone. Can Joyce convince her uncle to trust Mrs. Fish, and let her into their lives? A moving story about three people who know what it's like to feel different, outside of others—and who know how to love. If you've ever been teased, or ever longed for someone to care about you, you'll relate to this book.





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my books:

Dragon Speaker: The Last Dragon is a hi-lo (high interest, low vocabulary) fantasy for teens and fantasy lovers, from HIP Books.

A boy who speaks with birds is the only one who can save the last dragon....



SCARS, my realistic fiction teen book, comes out in 2010.

15-year-old Kendra was sexually abused as a kid. She doesn't remember who her abuser is, and she doesn't want to. When her memories get too painful, Kendra cuts herself to escape. But then her abuser, through notes, threatens to hurt her if she names him. Kendra must remember who abused her before it's too late.